c. 2014 · Dance – stage work
Scene in Action
Aleta Hayes · Stanford University
A site-specific dance installation by Aleta Hayes and Stanford students, moving through two museums in response to the Cantor's 'Robert Frank in America' exhibition and the Anderson Collection's mid-century art. Ben Juodvalkis composed the score and sound design for the Cantor Arts Center portion.
Recollections
“This piece was cool. Another one where I came in once the wheels were well in motion. We were responding to a beautiful exhibit of Robert Frank's photographs of The Americans, which I had never looked closely at before.
The sound was extremely chaotic due to gigantic marble foyers and entryways, etc. It was a lot of creating ambience and atmospheric sounds.
I also think it might've been the grand opening of the Anderson modern art museum at Stanford, which is unbelievable.”
- Premiere
- 2014-10-29
- Venue
- Cantor Arts Center and the Anderson Collection at Stanford University
- Where
- Stanford, CA
- Performances
- October 29, 2014 (6:30 pm) and October 30, 2014 (8:30 pm).
- Credits
- Direction/choreography: Aleta Hayes. Assistant choreographer: Cuauhtemoc Peranda. Composer/sound design (Cantor portion): Ben Juodvalkis. Musical director and arranger (Anderson portion): Tammy Hall; assistant musical director: David Grunzweig. Costumes: Alexis Lucio. Production supervisor: Tony Kramer. Catalog design: Thomas Both. Stage manager: Ari Echt-Wilson. About 16 Stanford student dancers, plus jazz musicians.
Photographs

Nick Salazar, Xxavier Carter or Clayborne Carson

Nick Salazar, Xxavier Carter or Clayborne Carson

Nick Salazar, Xxavier Carter or Clayborne Carson

Nick Salazar, Xxavier Carter or Clayborne Carson

Nick Salazar, Xxavier Carter or Clayborne Carson

Nick Salazar, Xxavier Carter or Clayborne Carson

Nick Salazar, Xxavier Carter or Clayborne Carson

Nick Salazar, Xxavier Carter or Clayborne Carson

Nick Salazar, Xxavier Carter or Clayborne Carson

Nick Salazar, Xxavier Carter or Clayborne Carson
Ephemera

Krystina Tran's poster for the two nights

A card from the Anderson Collection, the day I met Aleta

Cover of Stanford's catalog for the show

The catalog's credits page

My bio in the catalog
Aleta asking Hope for a sound artist, which is how I got the job
Aleta: Hope HELP! looking for a sound artist …for a performance at the end of the month. Aaagh.
Hope: I recommend Ben Juodvalkis. In the city. Very good.
Aleta: Ben, I need a sound score for museum installtion at the end of month. How great to see you pop up again! Thanks hip hop Hope!
Aleta: Btw, this is not Chocolate Heads. It's another project called Scene in Action. Look that up on Stanford events!
Aleta's email calling me down to Stanford
Aleta: The music did not work. You have to come down.
Aleta in the show's catalog
Aleta: Somebody put their whole being into these things. We need to put our whole being into the movement, make people feel it, not just look at it.
Press
“dance, fashion and visual art converge in a choreographed synergy of artistic expression.”
“the dancers and musicians were not there to enliven the gallery space; rather, the character and essence of our performance was being transformed by the power of the work.”
Elsewhere
- Scene in Action (catalog) — Stanford Arts, 2014-10
- "Scene in Action" brings dance, art and fashion to a new stage — The Stanford Daily, 2014-10-30
- Scene in Action — Director's Notes — Stanford Arts, 2014-10-31