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2015 · Dance – stage work

To Go Again

Joe Goode · AXIS Dance Company

A dance-theater work for AXIS Dance Company about the lives of military veterans with disabilities and their families. It is built from interviews, and the dancers speak and sing the testimonies as they move.

Recollections

“Joe Goode has done a lot of work with veterans. He interviews them about the various facets of military life, the challenges of reintegrating into society, the community, and then brings their words into his pieces. It's a very cool and unique long-term project.

I came into this piece with the process well underway and a lot of material already generated, so I mostly was filling gaps and creating underscores. I remember one of the pieces had the sound of banging on the dumpsters, which I thought was super cool.

I think it was my first time working with AXIS, and I really enjoyed their sense of humor and community. Working with AXIS is super inspiring. I learned a lot and I will always be grateful for this experience.”

Ben
Premiere
2015-06-12
Venue
Malonga Casquelourd Center for the Arts, Oakland (AXIS Home Season 2015, June 12–14)
Where
Oakland, CA
Performances
World premiere June 12–14, 2015 at AXIS's Oakland home season. Rehearsals from January 2015 at the Malonga Center; donor preview April 2; production residency May 3–7 at the Cowell Theater. The 2015–16 national tour played about 16 venues, among them the Kennedy Center, Harris Theater (Chicago), Clowes Memorial Hall (Indianapolis), NYU Skirball, NJPAC, Stanford Live (April 23, 2016) and Dance Place, Washington DC (May 14–15, 2016). It also went to VA hospitals and veterans' workshops, including a Millersville University residency in November 2015 with an excerpt at the Lebanon VA Medical Center.
Credits
Conceived, choreographed and written by Joe Goode, in collaboration with the dancers. Original score: Ben Juodvalkis. Assistant directors: Melecio Estrella and Damara Ganley. Dancers: Nick Brentley, Julie Crothers, Dwayne Scheuneman, Sophie Stanley (Kevin Lopez also danced it on tour). Costumes: Jenny Gonsalves. Lighting: Jack Carpenter. AXIS Artistic Director: Judith Smith; rehearsal director: Yayoi Kambara. Supported by the New England Foundation for the Arts' National Dance Project; commissioning support credited to Geoffrey Fallon.

Photographs

Three dancers on a dark stage reaching the same direction: two women in floral dresses lean forward behind a bald man in a plaid shirt who sits in a wheelchair, all with arms stretched out.

Dino Corti

A dancer in a grey sleeveless top holds a bald man in a plaid shirt, dipping him backward out of his tipped-over wheelchair, one arm trailing toward the floor.

Darial Sneed

On a floor dappled with leaf-shaped light, one dancer holds a side plank with a leg raised above another who arches backward on the floor in a floral dress.

Darial Sneed

Four dancers on a dark stage: two women in floral dresses and a man behind a dancer in a wheelchair, all pointing their arms out in different directions.

Darial Sneed

Four dancers facing the audience with fists raised overhead: a man at left, a woman standing behind a man in a wheelchair, and a woman kneeling at right.

Darial Sneed

In pink stage light, a dancer in a sleeveless top supports a bald man in a plaid shirt who leans far out of his wheelchair, one arm stretched toward the floor.

AXIS Dance Company

AXIS Dance Company promo graphic: 'Home Season 2015 | Onward, June 12th, Friday at 8pm, June 13th, Saturday at 8pm, June 14th, Sunday at 2pm' above four dancers leaping around a dancer in a wheelchair on a white background, with the company's Oakland address.

AXIS Dance Company

Dance Place promo graphic in pink and bright blue: a man in a wheelchair and a woman in mid-leap reach toward each other, split by a diagonal line.

Dance Place (photo: David DeSilva)

Program page from Stanford Live Magazine, April 2016: the program for AXIS Dance Company at Bing Concert Hall, listing Dix minutes plus tard, Divide and, after the intermission, to go again (2015) by Joe Goode, with 'Original score: Ben Juodvalkis' among its credits.

Stanford Live

Ephemera

Ben's rehearsal setup in a large dance studio: two laptops, a MIDI keyboard and controllers on a wooden table, cables across the floor. A grey-haired man sits in a chair beside the table, watching four dancers across the room, one of them in a wheelchair.

My first day in the room with AXIS

Rehearsal run-through in a wide studio with a black dance floor and a barre along the wall. Three dancers stand in a line at the back and a fourth, in a wheelchair, sits to the right.

Early run-through, from rehearsal video

Rehearsal run-through: one dancer balances on one hand and a knee over another lying on the studio floor, while a dancer in a wheelchair and a standing dancer watch from the back.

Later in the same run-through

  • Voice memo of the song's melody, sent by Damara

Damara asking me to score the piece, the day before I started.

Damara: Hi hi - joe wants you to make music for piece he is setting on Axis. I think their director will call u. Are you available/interested? Any chance u can come tomorrow? We r working in oakland 1-6pm. I am working on songs alone with them 3-6 it would be great to have your help on that...just in case you happen to be free :)

Ben: Oooooooh!

Ben: YEAH BABY! so excited. Send the deets. I'm available tomorrow

Ben: Just talked to Judy and I'm confirmed! See you soon

Ruth texting from AXIS the day they previewed the piece.

Ruth: I'm working at AXIS dance today and I just learned that they are previewing the Joe Goode piece. They said that you aren't necessarily coming, but if you do, I'm here!

The song the dancers sing, from Joe's rehearsal script.

Joe: Its like nothing you can expect. Its like nothing you can explain. Its empty empty but something remains. Close the drapes. Shut the door. Turn away from what I knew before Folding in, falling out, waking up to this world of doubt.

Press

“Joe chose composer Ben Juodvalkis, whose mother is a nurse at a Veterans Hospital; so he was thrilled to be involved.”

“Even though it's about veterans and their families, to go again is primarily about the tribulations and triumphs and sufferings and dreams of people.”

“The dancers speak and sing the lines with vulnerability and candor.”

“to go again... is about being resilient in the face of really catastrophic circumstances.”

YouTube · AXIS Dance Company · 2015-06-02

“Jack Carpenter's lighting design is heavy dark, the original score by Ben Juodvalkis is grating. I began to feel suffocated and wanted out of there. The effect is transformative.”

“AXIS Dance Company joins forces with beloved SF-based choreographer Joe Goode and composer Ben Juodvalkis to create a new work, to go again.”

“The dancers and I interviewed several veterans and family members who generously shared their stories. The words you hear in to go again are their words.”

“The headlining work of the Oakland-based troupe's current tour, to go again by Joe Goode, explores the experiences of combat-injured veterans and their families.”

“The work with veterans includes performances of “to go again,” a gripping piece choreographed by Goode last year that weaves together dance and oral narratives of life as a wounded veteran.”

Elsewhere

More with AXIS Dance Company

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