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2012 · Dance – stage work

Sunk in Sleep

Bianca Cabrera (Blind Tiger Society)

An evening-length Blind Tiger Society work set in the space between dreaming and waking, drawing on Alice in Wonderland, with scenes that shift between concert, nightmare, trance and tea-party imagery. The Indiegogo campaign called it 'a down the rabbit hole kind of exploit'. A section titled 'PacMan' was previewed in rehearsal videos.

Recollections

“The first time I met Bianca was at a random coffee shop in the SoMa District of San Francisco. She had a binder full of her plans for the show. We always joke about sneaking back in there and putting up a plaque to commemorate this auspicious moment.

I remember writing PacMan in some random East Bay studio where all my equipment overheated. They said the meter was something like 2-3-3-9-7-7-2-1 or something.

I remember that every performance was really different; the score was super improvisational. I wore a top hat.

There's before Sunk in Sleep and after Sunk in Sleep, and that's all there is to it.”

Ben
Premiere
2012-08-17
Venue
CounterPulse (Summer Special 2012)
Where
San Francisco, CA
Performances
Aug 17-19, 2012 (Fri-Sun), 8 pm, per the Indiegogo campaign. CounterPulse posted a sneak peek on Jul 30, 2012. In June 2016 Bianca Cabrera used a remastered recording of the 'Pacman' section from the Friday-night performance in a piece she took to Seattle. In January 2020 Bianca had Ben remaster the 'Ocean' section for a middle-school class she started rehearsing on Jan 27, 2020.
Credits
Choreography: Bianca Cabrera. Score: Ben Juodvalkis. Performers: Bianca Cabrera, Tanya Chianese, Kelli Galdes, Roche Janken, Ben Juodvalkis, Mallory Markham, Sam Stone, Becca Welna, Katie Wong. Costume design: Annika Bee Costumery. Lighting design: Roel Q Seeber. Set design: Roel Q Seeber. Libation curation: Sassafras Seagrass.

Photographs

A woman in a red dress lying across dark, rushing creek water, arms outstretched, an antique glass decanter floating in the foam beside her.

Danny Nguyen

Overhead view of a woman in a white dress kneeling in a shallow creek, one arm reaching straight up, dark hair falling across her back.

Danny Nguyen

On a dark stage, a dancer in a black skirt and cream top stretches into a deep lunge with one arm reaching back toward a dancer striding past her, while four others in matching costumes stand behind them.

On stage at CounterPULSE. The only photo I have of the show.

Roel Q Seeber

A young woman in a cream slip kneels in the churning white water at the foot of a waterfall, her wet hair slicked back, looking straight at the camera.

Roel Q Seeber

Ephemera

Six dancers caught mid-air, jumping together in a bare studio with tall windows, rehearsing the "PacMan" section.

Rehearsing PacMan, from Bianca's CounterPULSE blog post.

A handwritten opening night card: a note in graphite pencil signed "Mallory" ("peace, love, & glitter") above a note in green pen signed "Ben" ("Thanks for being a true rock star! I love you") next to a hand-drawn red heart.

Our card for Bianca, from Mallory and me.

Bianca previewing the show for CounterPULSE
  • PacMan, the closing section, live on opening night

  • The curtain speech, voiced by Katie and Becca

Bianca's program note for the Ocean section.

Bianca: You. Adrift for days on these oceans, waiting for help, waiting for the sight of a mast or a flag or a tree or a sail or even a cheap petticoat strung up on a pole - some sort of scarecrow offering to the wheeling gulls and endless waves. What are we doing here? Of course there is a story. One small story after the next. Going, going, going gone. Woke up again. Ate breakfast again. Called mom again. Drifted on this ocean again. Past the horizon, past the edge of the world. Land sheared into crashing water - sounds of water smacking stone, the ceaseless soundtrack of this rugged, ragged shoreline. Wind as well - varied in its listing rhythm like the snores of a sleeping lover. Lighthouse - to warn the incoming ships that shore is nearby. To keep the ships from running aground in the black night. To call the ships to land, to bring them back to home. I look out at the ocean, and of course I am small, I am lonely, I am drifting and no amount of love will bring me into harbor or return me to home. Home was a ship at sea to begin with - drifting without an anchor, no land in sight.

Bianca's program note for the Sleep section.

Bianca: If my mouth cannot move, I cannot ask you to save me. I say it in my brain, a thousand times and hard, over and over again. Wake up. I am pounding the words against my skull. I will my lips to purse, my tongue to lick and my throat to swallow. Nothing happens. I am waiting for my body to grab hold of the world and overthrow it. Wake up already. Don't panic, don't make it worse. I want to walk out of this and make breakfast. Have coffee. Light conversation and some news radio. Instead I am stuck here screaming on the inside, heavy on the outside. You don't even know it. You are starting to stir right beside my sweat and shakes, cozy with the cat. I can feel that my mouth is hanging open and that I am drooling. I try to raise my lower jaw and it feels like my eyes are going to burst out of their sockets from the effort. This tyrannical stillness is worse than all the thoughts coming in and out of frame throughout the night. My arms ache. I want to hit you with them so you will hit me back (you always hit harder) and get me out of this. I know what it sounds like when I scream. I try and remind you. You shift, steal some blanket and the cat winks her left eye.

Bianca's lyrics for the Lullabye.

Bianca: Hey, Hello Hey, Who are you I know, I know I know ooo It's hard to be you But when the night is over the sun shines through But hey, it's hard And all the world can see you You try, oh you try Until, ooo you die As long as they take to find him You wait through the night and all along they write their song but all they want is gone and I'll be here, far or near waiting for a sign

Bianca's artist statement, from her portfolio book.

Bianca: Sunk in Sleep is a down the rabbit hole kind of exploit. Part daydream, part nightmare, this is the liminal space between dreaming and waking — where meaning goes soft at the edges and anything can walk through the door. We live there every night and remember almost none of it. Sunk in Sleep remembers for you. Rock concert, trance, and tea party walk into the same room. Nobody blinks. Alice in Wonderland-inspired sets make the surreal feel inevitable. The piece vacillates between storyline and kinetic eruption the way a dream does — without apology, without warning.

My notes from a session with Bianca, headed “Worm.”

Ben: Pure and sexy, like a slug. Biological. They're not humans, just creatures

Press

“Bianca Cabrera's Blind Tiger Society presents a new evening-length dance work.”

Elsewhere

More with Blind Tiger Society

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